Five-Times Platinum Tigerlily Is a Moody Masterpiece: Natalie Merchant's 1995 Album Includes "Wonder," "Carnival," and "Jealousy"

Mobile Fidelity's Numbered-Edition 24K Gold CD Presents the Music in Intimate, Close-Up Fashion

The 10,000 Maniacs were at their peak when group founder and scintillating vocalist Natalie Merchant announced that she was leaving the band to pursue a solo career. It took her four months to record Tigerlily, a gorgeously detailed folk-pop debut that became a permanent fixture on the album charts for a year after its 1995 release.

The five-times platinum set spawned three giant hits—“Wonder,” “Carnival,” and the haunting “Jealousy”—that simultaneously crossed over to the pop, adult-contemporary, and mainstream singles charts. It’s easy to understand why. On Tigerlily, Merchant turns in a vocal performance for the ages, spinning majestic webs of mellow atmosphere woven with rhythmic textures and low-key movements. This is a moody masterpiece.

Mastered from the original analog tapes, Mobile Fidelity’s collectible version of Tigerlily mines the critical nuances and delicate tones from this intimate gem. Merchant’s beautiful voice—her precious coos, soulful inflections, and whisper-soft purrs harken back to the Jazz Era—is presented with an up-close clarity and full-bodied richness that enhance the album’s deeply emotional feel. She uses volume and pitch as a painter utilizes shades on a canvas. Subtle and tender, her phrasing and crescendos underscore the personal nature of the lyrics. Merchant sings about mature topics most songwriters lack the courage to explore, probing the painful loss of a longtime partner on “Beloved Wife,” actor River Phoenix’s tragic death on “River,” and life-altering myths on “San Andreas Fault.”

The vocalist’s bracing conviction is matched by small-scale acoustic frameworks that don’t let a note go to waste. Mobile Fidelity’s engineers worked to make sure you hear all of them on this numbered-edition 24K Gold CD. Aligned on a wide soundstage, the discerning mix of Hammond organs, pianos, chamber percussion, and bluesy guitars come across with their understated intentions intact. Balances are superb, dynamics are grand. All albums should sound this good.