Hybrid Stereo SACD Mastered Direct to DSD from the Original Master Tape by Bernie Grundman

Led by the songwriting and virtuoso musical duo of Walter Becker and Donald Fagen, Steely Dan released an extraordinary run of seven albums on ABC Records and MCA Records from 1972 through 1980. Filled with topline musicianship, clever and subversive wordplay, ironic humor, genius arrangements, and pop hits that outshone the Top 40 of its day, their records, which were as sophisticated and cerebral as they were inscrutable, were stylistically diverse, melding their love of jazz with rock, blues, and impeccable pop songcraft.

Now at long last, Steely Dan's classic ABC and MCA Records catalog will return to vinyl with an extensive yearlong reissue program of the band's first seven records, which is being personally overseen by founding member Donald Fagen. The LPs, most of which haven't been widely available since their original release, will be available on 33 1/3 RPM 180-gram black vinyl via Geffen/UMe, and as a premium 45 RPM version on Ultra High-Quality Vinyl (UHQR) from Analogue Productions. AP will also release this series of titles on Super Audio CD. All albums are being meticulously remastered by Bernie Grundman from the original analog tapes except for Aja, which will be mastered from an analog, non-EQ'd, tape copy, and Gaucho, which will be sourced from a 1980 analog tape copy originally EQ'd by Bob Ludwig. There's no evidence the original tapes containing the flat mixes of Aja and Gaucho were delivered to the record label and it's presumed the tapes no longer exist. 

Home to the staples "Kid Charlemagne" and "The Fez," Steely Dan's gold-selling fifth studio album The Royal Scam, was produced by Gary Katz and originally issued by ABC Records in 1976. It featured more prominent guitar work than predecessor, Katy Lied, which had been the first sans founding guitarist Jeff Baxter. Guitarists on the recording include Becker, Denny Dias, Larry Carlton, Elliott Randall and Dean Parks. Rolling Stone described The Royal Scam as Steely Dan's "most atypical record, possessing neither obvious AM material nor seductive lyrical mysteriousness. It also contains some of their most accomplished and enjoyable music..."