UMe To Reissue Beck's Entire DGC/Geffen/Interscope Catalog on Vinyl / Genre-Mashing 2005 Album Available for the First Time As Single LP

Since introducing himself to the world in 1994 with his genre-defying, multi-platinum debut, Mellow Gold, Beck has blazed a path into the future while simultaneously foraging through the past. Throughout his singular career he has utilized all manners and eras of music, blurring boundaries and shattering expectations with each album. From the world-tripping atmospherics of 1998's Mutations and the florescent funk of 1999's Midnite Vultures through the somber reflections of 2002's Sea Change, 2005's platinum tour de force Guero and 2006's sprawling The Information, no Beck record has ever sounded like its predecessor.

In the fall of 2016, UMe will begin to reissue Beck's entire envelope-pushing DGC/Geffen/Interscope catalog on vinyl, beginning in October with the trifecta of his 1996 Grammy Award-winning game-changer, Odelay, 2002's beautiful, brokenhearted, Sea Change, and 2005's Guero, which saw Beck reunite with the Dust Brothers. Sea Change will be released as a double LP while Guero will be made available for the first time ever as a single LP. Mellow Gold, Mutations, Midnight Vultures, The Information and Modern Guilt will follow at a later date.

Beck kept fans and critics guessing about how he'd follow up Sea Change and in 2005 released the genre-mashing Guero which shot to No. 2 on the Billboard Top 200 - his highest charting album to date. Beck's eighth album saw him reuniting with the Dust Brothers with an assist from producer Tony Hoffer (Midnite Vultures), for a tour de force of Latin rhythms, rhymes, guitars, beats, samples, 8-bit electronics, turntables and vocoder for a fun and freewheeling ride through rock, hip-hop, boss nova, country-blues and soul.

Album opener and lead single, "E-Pro" went to No. 1 on the Billboard Modern Rock Chart, while "Girl," "Hell Yes," "Go It Alone" (featuring Jack White on bass) and more became instant fan favorites. The album was a hit with critics as well with New York magazine enthusing, "Beck integrates his personae into a fairly seamless whole, and his knack for synthesizing disparate musical elements (hip-hop, robot funk, blues, country, jazz, garage rock, etc.) extends beyond samples and individual tracks. The songs migrate smoothly from one to the next; there aren't any throwaway numbers to sabotage the album's momentum; the whole thing coheres," while Rolling Stone dubbed it "his liveliest and jumpiest music in years."