Berardo Hernández – better known as Manzanita – first surfaced during the psychedelic Cumbia craze. At the head of the scene were the magnificent Los Destellos, whose leader, Enrique Delgado, was such a six-string wizard that other guitarists found it impossible to escape his shadow. But when Manzanita arrived, his electric criollo style sent shockwaves through Lima's music scene and posed a serious threat to Delgado's dominance as king of the Peruvian guitar.
Starting in 1969, Manzanita y su Conjunto released a steady stream of singles that used Cuban guaracha rhythms as the foundation for dazzling electric guitar lines. After countless 45s and several years on the touring circuit, the band signed to Virrey, an important Peruvian label, and recorded two LPs acknowledged as masterpieces among aficionados of tropical music. Most of the songs on Analog Africa's new compilation are drawn from those legendary sessions of 1973 and 1974. Although he scored a few more hits in the later 70s, his dissatisfaction with the music industry caused him to withdraw from the scene for several years; and when he finally retired for good, the golden age of Peruvian cumbia was a distant memory. But when Manzanita was at the top of his game he had few equals. This is some of the best music ever recorded in Perú.
180g vinyl LP with gatefold cover.
- Shambar
- La Caihuita
- La Buenita (con Los Cañeros)
- La Mazamorrita
- Manzaneando
- No Me Marchare
- Lamentó En La Puna
- Un Sábado Por la Noche
- Salomé
- Catita
- Primavera 71 (con Los Cañeros)
- El Norteño
- Mama Ocllo
- Mi Pueblito