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End of Existence was written, performed, recorded, engineered and mixed by The Browning's impresario Jonny McBee. It's 12 tracks of detuned guitars, electronic nuances, and vocal gut punches. The Browning have been inching towards this album and this moment since their inception.
The global COVID-19 pandemic tabled the band's touring plans so McBee focused on his next creative and personal chapters. He built a tiny house for his wife and newborn daughter and cooked up End of Existence at home. Over the course of the ensuing year, he took advantage of the extra time to perfect it, playing every instrument, and producing. He effectively bottled the band's signature live intensity in the studio and on End of Existence.
"To me, the music sounded doomy, dystopian, and apocalyptic," McBee offers. "The Browning has always had that tone, but it's even more prevalent now. Early on, I knew I was going to write the heaviest Browning body of work there was. I needed a theme to fit the heaviness and darkness of the music though. Since I was really happy in my personal life, it had to have a fictional plot. For me, this was about creating a universe."
- End Of Existence
- Destroyer
- Anticendency
- Gott ist Tot
- Torment
- Cataclysm
- Rage
- Chaos Reigns
- No Man Can Become A God
- Death Warp
- Prophecy
- Fearless