New 23-Track Album Finds Music Legend Revisiting His Love of the Skiffle Genre and Infusing it with His Signature Sophistication and Soulfullness

It should come as no surprise that Van Morrison has made an album inspired by skiffle. Van's love of skiffle dates back to his childhood. He would hang out at the famed Belfast record store Atlantic Records, where he'd hear early 20th century folk, blues and jazz from the likes of Lead Belly and Jelly Roll Morton. So when he heard Lonnie Donegan's take on "Rock Island Line" he intuitively understood the music he was creating. Before long, Morrison was playing with a skiffle band in school.

Several decades on, Morrison now revisits his love of the genre with his new album Moving On Skiffle. It finds him taking a homemade style that exploded across Britain in the mid-1950s and infusing it with a level of sophistication and soulfulness that it didn't always possess the first time around. The 23-track album goes to the heart of the music Van has inhabited ever since he was six years old, hanging out in the smoky confines of Belfast's Atlantic Records. It also contains songs that underline, in their messages on the importance of freedom and living on your own terms, his lifetime philosophy.

For the most part, Van plays these timeless songs straight. Several of them feature his own arrangements, while select others feature his own characteristic lyrical twists. The ever-rebellious Morrison has changed the title of "Mama Don't Allow," recorded by both the Memphis Jug Band and the Chicago blues man Tampa Red in the late 1920s, to "Gov Don't Allow," a nod to his fight against the rise of government interference in our daily lives. And the gospel standard "This Little Light of Mine," a key anthem of the Civil Rights movement in ‘60s America, is transformed into the rollicking, upbeat "This Loving Light of Mine."

Opening track "Freight Train" is an immediate highlight, a song which was originally written by Elizabeth Cotten and then recorded by both Peggy Seeger and Chas McDevitt. Van has given it as a sophisticated jazz arrangement complete with rollicking organ, close harmony vocals and some new words. Elsewhere, "Wish I Was An Apple On A True" is given wonderful warmth, completed by jaunty washboard and treacle-rich vocal harmonies. "Gypsy Davey" remains timeless, while Morrison's powerful vocal and impassioned sax complement the bluesy guitar on "Greenback Dollar." The album closes with "Green Rocky Road," a plaintive folk gem and an ode to the troubadour life that was made famous by Fred Neil and Dave Van Ronk, and featured in the film Inside Llewyn Davis.

Key contributors on the album include Dave Keary (guitars), Pete Hurley (bass), Colin Griffin (drums) and Sticky Wicket (washboard). Current Brit folk favorite Seth Lakeman also contributes fiddle to five songs.